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Editor's
Note:
This is an edited transcript of the interview.
Today's Australia is not just known for kangaroos, koalas
and the Uluru. It is fast becoming a centre for gastronomical
delights, offering different cuisines.
Traditional
Australian cooking has much in common with the English
pot roast meal - heavy, lacking imagination and dull.
Two
things can be said to have rescued the country from
culinary destitution - immigration and Tony Bilson.
Long
hailed by many as the Godfather of Australian cooking,
chef Tony Bilson almost single-handedly revolutionised
Australian cuisine.
He
started his first restaurant - La Pomme d'Or - in 1971...
and went on to work in many famous hotels.. and to open
more restaurants, each one more spectacular than his
last.
His
latest and eighth restaurant, The Canard is low-key,
has unpretentious simplicity, and delivers simple luxury
on a plate.
Hailing
from Melbourne, and having studied in a Grammar school,
the path of a chef was the last thing anyone would have
expected him to have taken.
SHANKAR:
Tony Bilson, welcome to In Conversation..
Tony: Thank you.
SHANKAR:
A lot of people call you the godfather of Australian
cooking. What's Australian cooking?
Tony:
Well I guess since the post war the first Second World
War, the society in Australia changed a lot. Now we've
now one of the biggest and best wine producers in the
world. And along with that, there's been a lot of cultural
change.
It's
my point I guess that cooking is very central to culture.
And I think it was one said was peripheral to culture
if you like on the side of culture but now it's firmly
in the main stream and a lot of people think I guess
I had a lot to do with that. I'm certainly not entirely
responsible but its been as one does ... you do what
you can as you go through life and that's where a great
privilege to be able to do the things open up to them.
SHANKAR:
But there's a lot of influence in the French, isn't
it?
Tony: Very much so. And that's because as I said
I think Australia is really changed to a wine culture
at that time. Mind you I've always been a great admirer
of French culture anyway. I was fascinated with French
culture from a very young age. I love the material of
nature of belly pork in Paris. And I was very attracted
to the Bohemian way of life I guess.
SHANKAR: So
you think you've introduced basically a French influence
into what was being just a roast and potatoes dinner
in Australia.
Tony:
Well, I think so. The roast and potatoes dinner started
changing very early and you must remember that the most
popular exotic food in Australia was always been Chinese.
We have a very strong Chinese population in Australia
since the gold rush days. And every Australian town
has its local Chinese restaurant. If you think about
the flavoured structures, beer and tea since the flavours
of Cantonese cuisine. Wherereas I don't see wines ...
I think that if you are going to drink wine then I think
that French cooking is the most highly developed and
sophisticated has the most sophisticated way of flavours
within that cooking.
SHANKAR:
But how did that switch happen.
I mean with a lot of Cantonese cooking taking place
and being that popular, how was that switch to wine
growing and therefore cooking with influence of the
French happen?
Tony:
I
think that really the post war migration of European
migrants then in the late forties and till the mid fifties
was very important. Not that we have a lot of French
people coming up, we certainly have a lot of Italians.
The styles of wine made in Australia are very unlike
Italian styles. Italian styles tend to be a lot flatter
and maybe not as much fruits as Australian wines. My
particular interest happens to be in French food. I
read from a very young age and I love the whole romanticism
of the history of French cooking and I guess there wasn't
it didn't seem to be any sense of culture or didn't
have a sense of culture or continuity in Italian cooking
that I got from from French cooking.
SHANKAR:
Well when you said the romanticism
of French cooking, what do you mean?
Tony:
Well,
from the development from the early days of in the 18th
century through to the classics of 19th century to late
19th century early 20th century. And then the way of
the craft as you like, the artist developed through
modern cooks like Alexander dermain ??
I
love the way that there is progression of handing on
with the cultures .. through restaurants and through
cooking. It is a constant quest for excellence within
the new culture environment, I mean to live in a day
when sort of two days to get from Lyon to Paris by car,
and now takes you one and a quarter hours by train.
So
life is speeded up enormously and over that time, there's
been a lot of different influences on cooks. We can
now get produce from all over the world and cook in
Singapore. I can food flown in from France, or Australia
or Italy or South America, wherever depending on what
I want to cook. With somebody in the early days, of
course I had to rely completely on the local produce
that was available. So I guess the thing that limits
us now in cooking is the range of our imagination. Some
people I think, tend to make food a lot more complex
because of that. They tend to get confused and start
to throw a lot of different ingredients together and
sometimes there is confusion and a lot of us call it
confusion cooking. Whereas I tend to like to keep things
simple and I tend to use the Japanese sense of ecstatic
I guess. It was in my food.
SHANKAR:
So would you say that Australian
cooking is basically fusion cooking with a domination
of the French influence?
Tony:
French
food for me when I am in France doesn't tend to be as
strongly flavoured as French food or French influence
food in Australia. Our flavours tends to be stronger
sort of gutsy if you like. And I think that reflects
the difference between Australian wines and French wines.
SHANKAR:
So in what way do you think Australian
cooking, what direction do you think it is going now?
Tony:
Thai
food was having a rather large influence on Australian
cooking but I think that's now diminished and French
food the French influence are becoming dominant again.
But there's no doubt it's more of the cooking of the
individual now. You can't talk in generalisations about
Australian cooking... I think it's the way that one
person cooks, I mean the way that Tetsuya cooks is Tetsuya's
food, the way that Neil Perry cooks is Neil's food and
the way that I cook is my food.
And
I find even within my own food, sometimes I'm cooking
really very classical classical French with no alterations,
very classical, and other times I am using all sorts
of other influences to do dishes. Its not as though
you can infinity as we used to be able to I guess.

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