Commentary: Made in Van Phuc, these Vietnamese silk artisans are working against mass market consumerism

Commentary: Made in Van Phuc, these Vietnamese silk artisans are working against mass market consumerism

The Vietnamese town in Hanoi has specialised in silk weaving since the 13th century, Grenoble Ecole de Management's Hung M Nguyen and Marcos Barros point out.

Hanoi, Vietnam street
(Photo: Unsplash/Sam Williams)

GRENOBLE, France: The identity of luxury goods firms is often anchored in the creativity and skill of the artisans behind the objects. 

A case in point is Hermes, where workers spend years learning to work with precious materials such as leather and silk. This approach allows such companies to distinguish themselves and compete in a marketplace flooded with goods that cost less but don’t have an identity strongly connected to craft, tradition and place.

This approach isn’t the unique domain of just a few firms, of course – it can be extended to those that are currently less known and in more peripheral places. An eloquent example is the Vietnamese town of Van Phuc, in the Ha Dong district, which has specialised in silk weaving since the 13th century. 

Establishing a strong place identity – how meanings attached to a locality can affect locals’ sense of self – was essential for their craftsmen to stand out from the crowd.

ANCIENT TRADITIONS, NEW COMPETITORS

Located approximately 10km from the centre of Hanoi, Van Phuc is considered the oldest and best-known silk-producing village in Vietnam. 

During our research team’s initial fieldwork, we found that in boutiques where Van Phuc silk products were sold, there were similar goods made in China. Based on the products’ variety and price, distinguishing between the two was relatively easy, and because of the craft methods used by Van Phuc’s artisans, their offerings are often much more expensive than similar ones from China.

In a report on Van Phuc made by the national television broadcaster of Vietnam, a storekeeper in the village stated:

I sold a lot of Chinese silk products, compared to Van Phuc ones, because they are cheaper and there are a wide range of products.

Textil, fabric, scarfs
(Photo: Unsplash/Roberto Lopez)
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An experienced silk weaving artisan added:

Van Phuc’s silk patterns are not as diverse as Chinese ones because our products are made manually. Therefore our patterns are still very ‘naive’. There is something unmistakable.

According to a local shop owner and artisan, the price of natural silk is around 1,700,000 dong per kg (approximately US$73) while the price of a kg of polyester yarn is about 50,000 to 60,000 dong per kg (US$2 to US$3).

Van Phuc’s products are not only made of natural silk, but they also have traditional patterns created during a sophisticated weaving process. By comparison, foreign-made goods have printed patterns and made by polyester or polyester silk fabrics. The savoir-faire of each creation has been improved from one generation to another, guaranteeing high quality.

RISKING LOSING GROUND

Still, appreciating handmade craft items and being able to pay for them is not for all consumers. Despite its strong place identity and the quality and creativity of its products, Van Phuc is at risk of losing ground.

In the village, silk fabrics and other silk products are directly sold at home-based workshops of craftsmen or retail stores, among which some are owned by artisans. 

Nevertheless, due to urbanisation, more craftsmen have less space for silk weaving tools to produce their own products. The traditional silk workshops are at risk of disappearing, to be replaced by imported products from China sold at retail outlets.

For the moment, Van Phuc silk products still have a stable customer base. They are often bought by foreign tourists who seek out unique Vietnamese products, or by Vietnamese who prefer to use high-quality domestic goods. 

hanoi, vietnam
(Photo: Unsplash/Raissa Lara Lutolf)

Residents of Vietnam often go to Van Phuc workshops directly and choose the products they like instead of buying at eye-catching retail outlets in the village.

PLACE AND IDENTITY

The story of craft products threatened by mass-produced goods is not a new one, and can appear everywhere. How to arrive at a long-term solution is the real question. 

In the case of Hermes, its identity is tightly linked to a place – it is not just “Hermes”, but “Hermes Paris”. Here, the associated memories, ideas, feelings, attitudes, values, preferences, meanings, and conceptions of behaviour and experience play a huge role. 

Indeed, the feeling of belonging to Paris, and French elegance in general, is a significant part of what attract clients to the goods.

Van Phuc’s artisans have recently perceived the importance of place identity.  Their products now feature the words “Van Phuc silk” or “Ha Dong silk”. This allows local artisans to distinguish themselves, affirm the high quality of Van Phuc’s traditional silk products, and gain the confidence of consumers. 

This initial step also allows producers to shine a light on local products among numerous foreign ones.

In the long term, if Van Phuc’s reputation can be expanded to a wider geographic scale – not just domestically but also internationally – their products will surely have a place in the market.

Hung M Nguyen is a postdoctoral researcher and Marcos Barros is an associate professor, both at Grenoble Ecole de Management (GEM). This commentary first appeared on The Conversation. Read it here.


Source: CNA/nr(sl)

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